My work transforms the trans* experience into a queer mythos and cosmology, exploring the complex intersections of identity and spirituality. I incorporate painting, drawing, and VR to create a cohesive world, with each practice playing an integral role. The drawings serve as the matrix and physics of the world, while the paintings display the beings and their mythic stories, along with the culture, society, and creatures that inhabit the world. The VR component showcases the ecology and atmosphere of the world, placing the beings in their surroundings and demonstrating how the gestures used in the drawings interact and interconnect the beings to their environment.

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Through abstraction, the visual language of mark-making takes precedence and works metaphorically to express the particularity of my lived experience in a non-normative gender. The return to figuration utilizes narrative as a way to create my own doctrine. Loosely inspired, I spin my own myths to reimagine a religion and culture where trans* people are centered as deities and G-ds, and queerness is the norm.

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Growing up queer in the 90s and attending conservative Christian schools inspired my practice of world-building as a form of escapism. In my current studio practice, I reflect the trauma of Christianized America back onto itself, with myself and my created worlds serving as unintended byproducts of today's religious fervor. Through paint, I transform the backwards morals of Christian Nationalism into a kinky playground, and their binary hate into a celebration of chromaphilia.

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My paintings utilize both personal experiences and historical research to fuse narratives from trans* people, myth, and religion. I stay close to my familial cultural history of Ashkenazi Judaism, European Christianity, and associated folklore, and interweave my own personal narrative into these histories. The pivotal moments of my nonlinear transition - the dysphoria, euphoria, and social dispositions - sprout a pantheon of trans* deities who parallel my journey and become extensions of my identity.

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These trans* deities exist in a universe informed by the etymology of the word queer, "twerkw," where lines become odd, bent, twisted, oblique, and inverted in the framework. This matrix is embodied by my drawings, where interconnected lines represent the ‘physics’ and invisible networks of my universe. By reworking moral, physical, and social laws, I create an ideology that is fluid, malleable, and open - a space where I can perpetually rewrite my own truth and reimagine my being. Through this process, I place myself in a history that has historically marginalized trans* people, validate my identity in a present that seeks to fight it, and envision new futures that were once unimaginable.